April 26, 2004

There Is No Spoon

The Alias writers have admitted in today's New York Times that they're making things up as they go along. For weeks they had no idea what "the passenger" was, despite the characters' fevered attempts to find it. They wrote Lauren as nothing more than a romantic foil for Sydney for eleven weeks, then decided it would be more fun if she were evil. They're flying by the seat of their collective pants, like The X-Files and Twin Peaks before them. Is it too much to ask for serial writers to have a road map, instead of throwing things at the wall and then writing around whatever sticks? The whole arc of the show just got much less interesting, since it's clear they have no idea what the whole Rimbaldi payoff will be yet and are just frantically laying down railroad tracks in front of the locomotive.

Posted by Peter at April 26, 2004 10:37 AM
Comments

I have to admit, I'm not surprised by that article. The show throws too many out of the blue curveballs to expect it to be all planned out. Fortunately though, it does seem like the writers are competent enough to keep their new stuff in line with what's happened in the past (something The X-Files writers simply couldn’t do).

I’d argue that the show hasn’t lost anything knowing that they’re making it up as they go. I mean, it’s all made up anyway, who cares WHEN they make it up?

Posted by: Jake on April 26, 2004 01:01 PM

Worked pretty well for Douglas Adams & Hitchhiker's.

Posted by: DugSteen on April 26, 2004 04:28 PM

Well, no, it didn't. The first two books-- which was really one book broken into two volumes-- were terrific. The remaining books, written afterward, were increasingly less funny.

I'm more willing to go on a journey when the guide actually knows where he's going.

Posted by: Peter on April 26, 2004 04:48 PM

Someone once did a study on the fans of Twin Peaks and found that believing that is was a clever, carefully thought-out puzzle was important. Once fans started seeing the random elements and discarded loose ends that a make-it-up-as-you-go-along style necessarily results in, they lost interest. Apparently they found it much more satisfying to see all the things come together (and hints dropped earlier stand out in memory for what they were) that comes when things are planned out and there is a specific puzzle to solve. This is one reason why fans stick with shows and movies with strong arcs and lament the network cancellations that deprive them of the payoff. The type of vague writing (akin to astrological columns) the writers brag they have gotten good at in the article is far less likely to pull it all together in such a satisfying way.

Posted by: David S on April 26, 2004 07:44 PM

I remember my interest in The X-Files dropped dramatically when I learned that they had no Plan. But of course, I'd already begun losing interest. When the writers of 24 made a similar admission last year (they have scripts at most four weeks out), I recognized that I had already noticed this in the show. I don't watch 24 anymore.

But Alias? As good in the last few episodes as it has ever been (though this season started off very slowly). I cross my fingers and hope.

Posted by: Danny on April 27, 2004 07:12 AM

I hate the style of fiction (particularly prevalant in fantasy writing) where the writer clearly has a plan/message/outcome in mind from the beginning, and all of the elements of the story are carefully constructed to advance toward the chosen goal. I'm not "satisfied" when everything turns out to have been constructed to lead to a particular closed ending; I'm frustrated, because that's not the way life really is.

The most important thing to me, when I get to the end of a novel (or a TV series season, probably, although I watch almost no TV in recent years), is to feel that other outcomes and other explanations were possible; that the "truth" developed and unfolded over the arc of the story, just as it does in real life. While I haven't thought about it from the point of view of the writer before, I think that writing when even the author doesn't actually know what's going to happen, is a good tool to work toward this end. Of course, it can be overdone, but I don't think it should be dismissed.

Posted by: David desJardins on May 29, 2004 04:07 PM
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